futurenow | 
| Artist: Go West
Label: Phantom Sound & Vision
Category: Music
List Price: $44.99
Buy New: $20.22
You Save: $24.77 (55%)
New (11) Used (1) from $14.62
Avg. Customer Rating:  2 reviews
Sales Rank: 210104
Format: Import
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.4 x 4.9 x 0.3
EAN: 5065001218040
Release Date: July 1, 2008
Availability: Usually ships in 1-2 business days
Condition: Brand new. Shipped from the UK by Airmail direct to 5 airports in the United States. Delivery takes approximately 5 working days from posting - we're frequently faster than a lot of US based sellers.
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| Editorial Reviews:
Album Description
2008 album from the British Pop/Dance/Jazz duo best known for the '80s hit 'We Close Our Eyes' and their worldwide smash 'King Of Wishful Thinking'. Futurenow, their first studio album in 15 years, has been described as 'the best work of their already distinguished career'. 10 tracks including the single 'Let Love Come'. Borough Music.
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| Customer Reviews:
 A Welcome Return! September 14, 2008
It's been over 15 years since their last full album, but Go West proves they still have it with their new release FUTURENOW. The duo of Peter Cox and Richard Drummie have a string of hit singles to their name ("We Close Our Eyes", "Faithful", and "The King of Wishful Thinking" to name a few), but their albums have been uneven collections of pop, blue-eyed soul, and jazz infuences that made it hard to really invest yourself in the band.
However, with FUTURENOW, Cox and Drummie have pulled together a more cohesive and consistent sound. They've dropped the jazz completely and put more focus on the blue-eyed soul (probably an after-effect from Cox's last solo album which was a tribute to Motown). The result is an album that is easier to listen to from start to finish than any of their previous work. Notable songs include "Let Love Come", "Stars Don't Shine", and the lovely "Glow". Peter Cox's vocals continue to be the star of the Go West show. It's welcome to know time hasn't taken its toll on his wonderful tenor voice.
I held back on a five star review because of the ten tracks only eight are new. The last two "All Day, All Night" and "Hanging On For Dear Life" are available on the LIVE AT THE NEC album as bonus tracks. They feel a bit tacked-on, but don't take away from the over-all feel of the album.
All in all, FUTURENOW is a solid effort showing off vocal and songwriting skills that prove there is life after the 80's for Go West.
 BUY IT! (and keep your expectations low) August 1, 2008
1 out of 1 found this review helpful
Dear Cox and Drummie,
Who do I blame for this album?
Surely, there were some unique challenges. And for those factors alone, we are all blessed to have a new Go West album. But these challenges seem to have cut into the new release we've waited 15 some years for. And here's what I see those challenges as being:
1) THE 15 YEARS ITSELF. After such a long time, it's hard to do anything that will meet cumulative expectation. But I get that and, hence, have given this three stars.
2) CONTRASTING MUSICAL TASTES. Cox says he and Drummie have differnet musical tastes. Is that why the CD never really gels? Are we listening to a compromise between both artists, rather than a balls-to-the-wall alliance with a singular, predetermined vision?
3) LACK OF HOOKS. Just because a song has a hook doesn't make it shallow, immature, or simplistic. (Unless, of course, it's a shallow, immature, simplistic song.) No, we're not hoping for 10 variations of the overly-bright "King of Wishful Thinking", just some groove. Or even the rich, melodic, dark stuff they can do so well.
4) THROWING THE BABY OUT WITH THE BATHWATER. It's a trap that most journeymen pop-stars fall into, particularly those who were born of the 80's. Because of the time, synthesizers and drum machines were often a part of a band's musical signature. It wasn't just about the melody of the song itself, it was about how the synth instrumentation added texture and dimension to it. So what do bands like Go West, Hall and Oates, and Kenny Loggins do for a contemporary album? They do what they think is organic and stripped down. They bring in more acoustic sounds, go with "simpler" production, and ditch unique synth sounds. The problem here is that these artists are masters at what do do with those sounds. With "FutureNow" (great name, by the way) clearly avoiding those, they've automatically eliminated one of their strongest tools. Instead, we have something that aspires to be rock-pop; edgier and more growl but because the songs themselves don't gel, the listening experience leaves us empty. (When does Futurenow 2 come out?!)
5) SELF-PRODUCED. This is a great way to save money and release an album for fans. But artists are rarely good producers of their own work. You see this time and time again. A vocalist will say "I'm producing this myself to express my total vision without interference." Turns out the interference was part of what was making their previous albums pop. Collaboration, although not always easy, has its benefits in the final analysis.
Am I disappointed? You bet. But not out of malice. Because of what we all know this duo is capable of. Am I sorry I bought the CD? ABSOLUTELY NOT. WE, AS CONSUMERS, HAVE AN OBLIGATION TO SUPPORT THESE AND OTHER TALENTED ARTISTS WHO ARE NOT GIVEN DUE AIRPLAY OR EXPOSURE BY A VERY CORPORATE MEDIA. AND I WILL BE ESPECIALLY HAPPY WITH MY PURCHASE IF THIS IS JUST ONE OF MANY OTHER GO WEST CDs TO COME.
So, Cox and Drummie, I thank you for the warm up. Now get back to work! ;)
Peace,
- Joher Coleman
www.imdb.com/name/nm0403825/
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